Jonathan Rogers
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Secret Of The Swamp King
$14.99Aidan Errolson is now living in the court of King Darrow, but the king is spiraling into suspicion and paranoia. His insecurity causes him to hate the young man who once saved his kingdom.
When the king sends Aidan on an impossible adventure into the recesses of Feechiefen Swamp, he hopes he is sending Aidan to his death. After all, no Corenwalder has ever returned from Feechiefen alive. But Aidan’s fate is not yet sealed, for he has allies among the Feechiefolk, who know him as the hero Pantherbane.
These 20th-anniversary editions of the Wilderking Trilogy include newly-written material by the author and all-new illustrations by Joe Hox. They may smell faintly of the Feechiefen Swamp.*
*If book does not smell faintly of swamp, soak in tepid water for 3-4 months for dramatic results.
Add to cart1 in stock
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Bark Of The Bog Owl
$14.99Aidan Errolson, comes from a long line of storied adventurers, but he never has any real adventures of his own. That, he believes, is the one great injustice of his otherwise happy life.
All that will change the day he hears the bark of the bog owl and meets Dobro Turtlebane. Dobro is one of the Feechiefolk-a tribe of half-civilized swamp dwellers who fight too much, laugh too loud, cry too easily, and smell just terrible.
But another meeting will change Aidan’s life even more profoundly. Bayard the Truthspeaker arrives with a startling pronouncement about the coming of the Wilderking, the long-prophesied wild man who will emerge from the deep reaches of Corenwald’s forests and swamps to lead the kingdom back to its former glory.
These 20th-anniversary editions of the Wilderking Trilogy include newly-written material by the author and all-new illustrations by Joe Hox. They may smell faintly of the Feechiefen Swamp.*
*If book does not smell faintly of swamp, soak in tepid water for 3-4 months for dramatic results.
Add to cart1 in stock
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Terrible Speed Of Mercy
$18.99Flannery O’Connor’s fiction is a reminder that the rural South is as good a place as any for transcendence to break through and reveal itself to the human gaze.
The story of Flannery O’Connor’s life is the story of her inner life more than her outer life. In a letter to a friend she wrote, “My audience are the people who think God is dead. At least these are the people I am conscious of writing for.” And writing for such a people required that she find a whole new language, a language she had to make up as she went along, drawing startling and large figures to get the attention of the almost blind, shouting in the ear of the almost deaf.
Her famous short story A Good Man Is Hard to Find was once called “profane, blasphemous, and outrageous,” but for O’Connor, the real horror was never violence or deformity, but damnation. Horror that awakens a soul to its own danger and prepares it to receive grace is no horror, but a mercy. “The devil,” she wrote, “accomplishes a good deal of groundwork that seems to be necessary before grace is effective.”
In The Terrible Speed of Mercy Jonathan Rogers chronicles how a conventional, devout middle-class lady from a dairy farm in Milledgeville, Georgia, came to write stories that were like literary thunderstorms, turning on sudden violence and flashes of revelation that crashed down from the heavens, destroying even as they illuminated.
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