Frank Thomas
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God Of The Dangerous Sermon
$21.99Every sermon has a theology, and a god of that theology behind it. Preaching is more effective, and has more integrity when preachers understand the god behind their theology. Specifically, whether the god is a universal God, like the one expressed by Christ and the Christian faith, or a tribal god, which is sometimes dressed up to resemble Christianity but is something else entirely.
Frank A. Thomas culminates his exploration of the Dangerous Sermon with this book, which leads readers through the process of identifying and understanding the gods behind theology, and their connection to preaching. The reader is equipped to discern the metaphors, symbols, and rhetorical indicators which point to the god a preacher is serving and calling others to serve.
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How To Preach A Dangerous Sermon
$19.99Learn to use four characteristics of “preaching with moral imagination” to proclaim freedom for all. The author describes the four characteristics using examples like Robert F. Kennedy, Dr. Martin Luther King, Jr.,Prathia Hall, and the Moral Monday Movement, along with musicians and other artists of today. Moral imagination helps the hearer to see what they cannot see, to hear what they cannot hear–to inhabit the lives of others, so that they can embody Christ and true freedom for those others. This book equips and empowers preachers to transcend their basic skills and techniques, so that their proclamation of the Word causes actual turnaround in the hearts and lives of their hearers, and in their communities.
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Introduction To African American Preaching
$40.99This book by Frank A. Thomas serves as an introduction and primer on African American preaching. He sets out to answer six questions: 1) What is the historical study and scholarly treatment of black preaching? The formal study of black preaching matured in the 1990s from Abingdon Press, through the books Black Preaching by Henry Mitchell (Interdenominational Theological Center) and The Hum by Evans Crawford (Howard University). The initial chapter traces how and why black preaching evolved. 2) What is black preaching? What makes black preaching distinctive? What are the substantive methodologies and content of black preaching? Does black preaching include the preaching of the African Diaspora or is it limited to American shores? How does black preaching correlate with the preaching methodologies of other communities, i.e. Euro-American, Latino/Latina, Korean, etc. 3) What are the benchmarks of excellence in black preaching? In every preaching tradition, models and styles or examples emerge based on community recognition and acclaim within the cultural preaching tradition. These models are built on criteria that point to “excellence” in oral practice. The goal in the classroom is to surface conscious and unconscious codes of excellence, which the student can then adapt in a particular congregation. 4) What methods are practiced in African American preaching? Three methods are explored from “folk” and “educated” preaching. Methods of “old-time Negro Preaching,” are compared to the Hegelian method of Samuel DeWitt Proctor and the celebrative preaching method of Henry H. Mitchell, Frank A. Thomas, and Luke Powery. 5) What are the future trends in black preaching? What cultural and media forces are changing black preaching? 6) What are the best bibliographic resources in African American preaching?
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