That Man Who Came To Us – (Other Language)

Related products

• 

  God In The Gallery

  $32.50

  Within the evangelical community and circles of Christian faith, art is often viewed with skepticism, if not disdain. Art historian and former art gallery curator David Siedell presents a different perspective in this book. The latest book in the Cultural Exegesis series, God in the Gallery is a welcome addition to the scant volumes that cover an evangelical reflection on the arts and the aesthetic life. Siedell ultimately contends that art is not antithetical or hostile to Christianity. Instead, it’s in dialogue with it as well as a gift as opposed to a threat to faith. The author extracts insights about worldviews from heavyweight thinkers such as philosopher David Naugle as well as Christian apologist Francis Schaeffer. Furthermore, he constructs a framework for interpreting modern art “in Christ.” Siedell also examines the role of visual art in worship and Christian experience. The book is enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martmnez Celeya, and others.
  God in the Gallery will serve as an essential text for Christian colleges that emphasize worldview thinking and integration of faith and learning and it will play a helpful role in curriculum development and will reshape the direction of campus art departments and galleries.

  in stock within 3-5 days of online purchase

  Add to cart
• 

  Crucifixions And Resurrections Of The Image

  $35.99

  George Pattison offers theological reflections on a range of works of art and films which have attracted wide discussion such as Anthony Gormley’s ‘Angel of the North’. Pattison takes seriously the modernist movement in art and constitutes an argument for its continuing relevance. The book centres on artists active in the mid- to late twentieth century, whose work reflects both the cultural and social crises of that era – Beuys, Rothko, Kiefer, Natkin and film directors such as Bergman and Tarkovksy. The studies are contextualized in broader reflections on modern art that suggest ‘the death of God’ as a motif that links theology and modern art itself. This enables a Christian theological engagement with works that often appear alien or even hostile to Christian faith. George Pattison takes the secular seriously in its own right, arguing that both secular art and theological reflection are often different but related responses to a common existential situation.

  in stock within 3-5 days of online purchase

  Add to cart
• 

  Art Of Empire

  $81.66

  In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory.

  The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.

  in stock within 3-5 days of online purchase

  Add to cart
• 

  Prophet In The Darkness

  $36.99

  Many consider Georges Rouault (1871-1958) to be one of the most important religious painters of the last few centuries. Yet both the secular art world and the church have struggled to engage with his work, which is profoundly shaped by his Christian faith and also starkly explores the pain and darkness of human experience.

  In this volume, a group of theologians, artists, and historians seek to bring Rouault out of the shadows. They offer a deeper understanding of the theological impulse of modern art and of Rouault’s distinct contributions. Chapters explore how Rouault’s unique work was influenced by his historical context, by personal suffering, and by biblical themes, especially the Passion of Christ. Essays are interspersed with original artistic responses to Rouault in the form of images and poetry, with contributions from Sandra Bowden, William A. Dyrness, Thomas Hibbs, Soo Kang, and others.

  Rouault displays our need for mercy within a world of anguish. This book explores how his prophetic creativity continues to inspire artists and thinkers seeking to understand the powerful intersection of lament and hope.

  The Studies in Theology and the Arts? series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

  in stock within 3-5 days of online purchase

  Add to cart